AUSTIN, TX - This interview with Black Pistol Fire's guitar player and singer Kevin McKeown was originally published on Scream & Yell in PT-BR. You can read it below in English. 

Yeah, we were supposed to be on the road for the better part of this year. I think we were supposed to be in Europe right now doing festivals. And we were supposed to release our album this year as well, but we’ve had to postpone that. The last few months and the better part of this year have been spent at home, which has been good, being able to spend time with family. But other than that, we’ve been working from home, writing and recording and trying to take advantage of the creative time to work on things from home. I love being on the road, touring and playing for people, but I find it difficult to write music on the road. So, when I’m home, I try to take advantage of that.

Yeah, it was written almost two years ago now. And it was written mostly out of personal experience, having to deal with a tough time and personal decisions that needed to be made, and the risks and consequences of those decisions that were made, but yeah, it had stayed on the shelf for a while. We didn’t know if we were gonna release it in an album or such. But when we started making the new album that song definitely fit in thematically and vibe-wise with the rest of the material. We didn’t exactly know what to do with it, but when the pandemic came about, we decided, wow, this song really resonates quite a bit with what’s going on in the world right now.

We have plans to release it early next year. We’re excited, and we’ve been wanting to release the album for quite some time. This is definitely the album that’s taken the longest for us to make and record, so I hope it shows a lot of different sides of the band, where we’re at musically.

Well, yeah, all of the above almost. A lot of different genres and styles of music. For this album I didn’t want to restrain ourselves to recording music that could only be played live with two people. I wanted to do what was best for the songs. So, if it needed extra instrumentation and bigger arrangements, that was something I didn’t want to shy away from. I wanted to just best serve the songs for the album. As far as guest musicians go, we’ve had some back-up vocal singers to help us on a few tracks, some lead guitar guest appearances on a track or two, and on keyboards, on Hammond organ, we’ve had somebody as well. So, yeah, we’ve definitely moved more out of our comfort zone with this album. It was recorded in many different studios in Nashville and here in Austin. And during the pandemic, we’ve been able to round out the album with a few extra last-minute songs that were recorded from home, and kind of, work some of that stuff out. It was the first time I had to do that, work and record from home, with no people at a studio to help out.

Some of the guests are friends that we know in town, not people from a level of notoriety that the public might know about. I really wanted to collaborate because, sometimes, when you work with just two people for so many years, it’s great because you develop such a strong chemistry and bond musically, but at times you need other people to come into your circle to shake things up in terms of, you know, make sure you don’t fall into a very predictable outcome with the creative and recording processes. I really wanted to seek that out, having someone to play guitar on a track, or keyboards, and create a different dynamic with the sound. That’s really in only a few songs, but I think it definitely brings new life to the tracks.

Yes, we do. It’s called Look Alive. It’s funny, again, we’ve had the title for this album for quite some time now, because it related a lot to me on a personal level. But then the pandemic came, and the title seemed even more appropriate. All these things related to the album were decided before the pandemic, and it’s strange, because it all resonates with what’s going on in the world right now. It’s a big coincidence really.

Yes, a few of them will be on the album. The intent with these singles last year was to have them compiled in a bigger album. So, another four unreleased songs will be included to complete the album as well.

We started working with Jacob on our fourth LP and also with another good friend and engineer, our co-producer, Nick Joswick, who works at 5th Street studios here in Austin. We worked with him on most of the album, but with other people as well, and we also went to Nashville to record with Vance Powell, who has previously recorded The Dead Weather, The Raconteurs, Chris Stapleton, among others. He’s a great engineer, I loved to work with him. So, it was kind of all over the place. And when you continue to work with the same people, it’s because of who you develop a musical relationship with. ‘Oh, I know what you are going for with this vocal sound or with this guitar sound’. Or because they’re there to stay, ‘oh, you’ve done this before, let’s try going in a different direction’. For me, I like to lean on people that I have a history with, so I know how to get to results a little bit quicker, or someone who pulls your back to let you know that you’re repeating yourself or going on the same path you’ve gone before. So yeah, it’s a very interesting album considering how many different people were involved in it. And it’s a very special record for us, we’re excited to get it out.

Uh, it’s a very tricky thing for us to come into, because we are Canadian, and we cannot vote in the United States. We live in Austin, but we can’t vote, so that’s very frustrating considering this is where we live and that we would like to have a say in how our country is going to be shaped and run. So, it becomes difficult for us to want to speak up about any kind of political issues about this country when we don’t have much of a say. But we do encourage everybody to vote, because if you don’t, you don’t have a voice. You can’t make a difference without speaking up. Just because we can’t vote, we would love to have the opportunity to do that. It’s a very important time right now in the history of America and the world, with everything that’s going on in the world. I just encourage people to get out there and vote, that would be my comment on political issues.

Well, this is something that I personally feel very passionate about and I’ve been trying to figure out how to help and contribute to this movement. We’ve been trying to raise awareness as much as we can, using social media as a tool to repost and other things. I want to take actions about issues, and on a much smaller scale than Jeff Tweedy, Gibson guitars (which is my sponsor) donated a Les Paul guitar to me, which I have been hand-painting, and we’re working towards doing a live stream, where all the proceeds and donations will go to the Black Live Matters movement, and also to the frontline healthcare workers. These are all very important issues to us, these are all things that we’ve been trying to find the best avenue… It’s just very hard to navigate through anything during the pandemic: trying to get together to rehearse, or put together a live stream, or do things to raise money. I’m also a father to a two-year-old. At home, sometimes the days can go by like a blink of an eye. 

(Laughs) So, I constantly wrestle with the idea of like, ‘oh, man, I’ve been working on this for two months and I still need to get around to this, and I need to get around to that’, so I’ve been trying to give myself a little bit of grace, like, ‘ok, so I’m slowly chipping away when I get some time to work on music, or finish projects…’ But back to what you were saying, yes, those types of issues and movements are extremely important to us, because what’s happening right now is what is going to spark change. I think what Jeff Tweedy is doing is amazing work and we are hopefully going to be able to contribute more soon.

It’s hard to know what is gonna happen. We have shows on the books for the next year and we hope to go on tour. But I don’t know if that’s really going to happen. We are going to hopefully release this album early next year, and we would love to get on the road and perform in front of fans and play in places that we’ve never been before. But right now we’re at the mercy of what lies ahead of how venues are going to continue, and even if people will want to go to shows again, due to the fact of how severe things progress or start to subside. Right now, the only thing we can do is stay safe and stay sane, working on music as much as we can from home, so when the gates open up again we’ll have plenty of new material to give fans.

Yes, me too. We would love to get to Brazil, that’s definitely on our bucket list. We hope to see you guys soon.

Cercada de polêmicas, a autobiografia do diretor americano Woody Allen foi lançada nos Estados Unidos em maio de 2020 e tem previsão de chegar ao mercado brasileiro nos próximos meses. Escrevi sobre o livro para o Scream & Yell. Leia um trecho da resenha abaixo.

Para conferir a versão integral da resenha, acesse o texto no Scream & Yell.

Em setembro de 2019, após um criterioso processo que envolveu meses de pesquisa, viagens a São Paulo (SP), entrevistas, redação e edição do vasto material disponibilizado pelo cliente, foi lançado o Relatório Social do Instituto NET Claro Embratel, com os principais resultados do trabalho desenvolvido pela empresa ao longo de 2018. Tive o prazer de participar do projeto em parceria com a agência Santo de Casa.

A seguir, confira um dos textos do relatório, a respeito do projeto Ação Social Pela Música. Para ler o material completo, basta acessar o Relatório Social.

Ação Social Pela Música faz conexão Rio-Nova York

O Ação Social pela Música (ASM) conquistou corações até nos Estados Unidos em 2018. A apresentação da Camerata Jovem do Rio de Janeiro, que é uma das iniciativas do projeto, em dois eventos em Nova York (EUA), no mês de maio, foi um dos grandes destaques do ano. 

Primeiro, o grupo foi premiado e se apresentou no evento “O Homem do Ano”, promovido pela Câmara de Comércio Brasil-EUA. Mas eles foram além: também tocaram na sede da ONU (Organização das Nações Unidas), a convite da entidade.

Para completar o tour nova-iorquino, os jovens músicos da Camerata ainda estiveram em um evento em uma escola no bairro do Harlem, onde se apresentaram para os estudantes e participaram de um debate entre afro-americanos e afrodescendentes.

Para David dos Santos Nascimento, contrabaixista da Camerata, a viagem à Nova York foi a realização de um sonho. Depois de ter se apresentado na Alemanha e na Holanda em 2017, e de ter passado 21 dias na Venezuela em 2015, fazendo um curso de liderança musical com os principais maestros da América Latina, tocar na sede da ONU foi mais um momento especial para o músico de 22 anos.

“Foi realmente incrível! Tão jovem ainda, poder conhecer outras culturas e sair do país. Sou muito grato pela oportunidade”, afirma David. “Em 2019, vamos receber outro prêmio na Europa, com apresentações na Suíça e na Alemanha. É demais sermos escolhidos entre os melhores grupos jovens de música clássica”, comemora.

Para Flávio Rodrigues, gerente de Responsabilidade Social Corporativa da Claro Brasil, ver jovens como David realizando esses sonhos é apenas o primeiro passo de um futuro que ainda reserva muitas outras conquistas.

“Quando a gente conversa com eles, percebemos o quanto já se sentem realizados por terem estudado música clássica e terem não só a oportunidade de passar seu conhecimento para outros jovens, agora no papel de instrutores, mas também de visitar outros países e demonstrar seu talento”, observa Flávio. 

Eventos do ASM em 2018

Veja a lista de iniciativas das quais essa turma participou em 2018. Entre elas, as conexões entre projetos e eventos patrocinados pelo Instituto NET Claro Embratel, como o realizado pela Fundação Gol de Letra e a Semana Nacional de Ciência e Tecnologia da Zona Oeste do Rio de Janeiro. E teve mais. Confira as apresentações:

• Evento Diálogos Gigantes, em fevereiro;
• Fundação Gol de Letra, em abril 2018;
• Semana Nacional de Ciência e Tecnologia, em outubro (que também teve participação do projeto Dupla Escola);
• Reunião de Comunicação da Claro Brasil, em dezembro.

"Foi muito emocionante a apresentação na Reunião de Comunicação e, mais ainda, a história de superação dos meninos e meninas do grupo. Encontrar um sentido e um propósito por meio de algo que encanta é maravilhoso. E saber que a empresa em que a gente trabalha apoia causas e projetos como esse nos enche de orgulho. Me lembro desse dia com muito carinho", conta Nelson Barreto, colaborador da Claro Brasil em São Paulo.

Aula para primeira infância

Outra grande novidade do Ação Social Pela Música em 2018 foi que o programa começou a desenvolver polos de musicalização para a educação infantil em parceria com creches comunitárias e escolas municipais. Assim, eles passaram a dar aulas de musicalização para a primeira infância e alunos da pré-escola. Esse trabalho tem demonstrado um impacto positivo no desenvolvimento motor e sensorial das crianças atendidas.

Ficou com vontade de conferir a Camerata Jovem do Rio de Janeiro tocando? Clique aqui para assistir a reportagem que a Rede Globo fez durante a apresentação deles na sede da ONU, em Nova York.

Veja também um vídeo de um sarau na Fundação Gol de Letra, onde a camerata se apresentou em 2018.

Mais sobre o projeto Ação Social Pela Música

Criado em 1994 no Rio de Janeiro, o Ação Social Pela Música do Brasil é patrocinado pelo Instituto NET Claro Embratel desde 2010. O projeto atende 1.394 crianças, adolescentes e jovens nos núcleos de aprendizado musical e 2.583 crianças nos polos de musicalização voltados para educação infantil e a pré-escola. No total, são nada menos que 3.977 pessoas atendidas.

O foco do programa é promover a inclusão social e a formação da cidadania, por meio do ensino coletivo da música clássica para moradores de comunidades em situação de vulnerabilidade social.

Entre as comunidades atendidas estão o Complexo do Alemão, Morro dos Macacos, Rio das Pedras e Cidade de Deus, no Rio de Janeiro.